It's been a little over a year since the two of us got
together and formed Dsgn Unplugged. It's been an awesome (as Mish would say)
year . . . we have had a steady stream of work, we have done some good designs,
some designs could have been better, we have been heartbroken about designs
that we loved but didn't get through, we have pulled our hair (I am going
bald!) through 'difficult' projects, have been underpaid and overworked at
times, worked with some amazing people, battled personal crises and much more.
Through all this, we have learnt some lessons (some require relearning though
and more heartache), built relationships, and realized how much we love designing
and doing this together.
The other day, at a meeting, our new clients (I have to come
up with a better term) asked us if we were related (they thought we were
twins!), remarking that we had the same eyes and smiles and that we completed
each other's sentences. I guess that's what happens when one spends a lot of
time together . . . working and otherwise . . . But it got me thinking of our
journey together as Dsgn Unplugged and how it all began.
So how did it begin? May be the beginning was the last day
of my job at Oxford University Press (5 December 2013), when Misha (as
promised) came at the end of the day to the office with a bunch of huge and
bright balloons and a big grin on her face. She had quit her job with OUP a
year back . . . we had worked together for four years there . . . collaborated
on many projects, shared a great working rapport, and had tried hard, sometimes
successfully and sometimes not, to make academic books look beautiful. She was
one of the few people who did not think I was stupid about wanting to quit a
well-paid job in a prestigious university press because she had gone ahead and
done exactly that before me. I missed working with her terribly (and I badly
wanted the balloons), so I quit my job. It was this that marked the beginning
of something new and exciting.
When we met a few days later at my place to discuss what we
wanted to do . . . I remember we spent a lot of time just giggling stupidly and
being super-excited about the fact that I didn't have to go back to a job. We weren't really focused on what we exactly wanted to do, knew that it had to do something with design as that's what
connected us at many levels, and we wanted to have fun along the way. I think
at that stage we probably thought we would paint and sell bottles (our
obsession at that point of time) and make a living out of it. Some people think
that's what we do, but to tell you frankly we haven't sold a single bottle till
date (we have gifted many though).
We came up with the name Dsgn
Unplugged after much agonizing over several cups of coffee and
conversations. The other name that was in close competition was Marmalade: Not Just Jam, which we loved,
but gave up because we suspected we would get tired of explaining it to people.
The first thing we designed together as Dsgn Unplugged was a calendar for 2014,
using photographs from our personal collections. We then bullied and cajoled
all our friends to buy it and at the end had to gift away several. (There are
some people who think we only make calendars!) The calendar carried the first
logo we had designed for ourselves, using a fat hand-painted 'd'. The logo was
changed later for the sleeker current version, which is playful and modern at
the same time.
By early 2014, we had designed and printed our visiting
cards, got ourselves registered, started a Facebook account and blog, and
opened a bank account, and we were set to face the big bad world and try and
save it with good designs.
In June 2014, I went away to Kolkata to do a three-month course
in Book Design run by the Seagull School of Publishing. Misha very sweetly (and
bravely) gave me company in Kolkata for a month. I had no formal training in
design and the design course gave me the skills, knowledge, inspiration and
confidence that I needed to make a more real contribution to running Dsgn
Unplugged, as also a much-needed break from my life back in Delhi.
When I got back to Delhi in September, we started slowly
creating our small studio . . . collecting odd bits of furniture, getting them
painted, getting the walls done, putting together our books (and of course our
growing collection of painted bottles), getting the coffee machine started,
buying cushions and so on. A lot of friends who have dropped by our studio have
remarked how it looks and feels like home! Well, that was intentional . . . and
that's really a reflection of our philosophy. We take pleasure in blurring the
lines between work and play . . . our homes sometimes look like workspaces and
our studio looks like home. We work well with good coffee and good music, and we
hate ugly office furniture. There is
nothing typical about our workday. We could be working at our studio or at our
homes (together or separately). The day usually revolves around coffee and what
we will have with coffee and later for lunch. We have the freedom to start and
end the workday as per our requirements. Some days we dress up for work, and
other days we work in our pjs. The workday has interludes of walks, yoga, cleaning,
reading, watching TV, doodling, chatting and much more we'd not like to reveal.
So how do we manage to ever finish
anything? Well, it's quite simple. We usually have a checklist of things we
have to complete in a day and we somehow always get around to ticking them
off. Our work and our attitude towards it are shaped by (and, in turn, shape)
our lives and the spaces we inhabit. Professionalism, discipline, hard work and
creativity are a way of life. They have nothing to do with long hours of drudgery,
boring office furniture, power dressing or such like.
In this one year, we have designed books, book covers,
catalogues and publicity material of various kinds. We have chosen to focus on
books at this stage because that's our forte given our many years in publishing
and, more importantly, we love the creative process of making books. We hope to
continue doing more of that apart from designing other print products. But we
have many plans . . . we hope to start designing and creating our own products
some time this year, we hope to have an opening for our studio (and invite all
of you), we want to learn pottery, continue painting bottles (ah yes, and start
cajoling you to buy them) . . . and more.
No matter what we are up to, we hope to continue blurring
the lines between work and play, and have fun in the process. It is a
constant struggle, but we will keep trying.
Congratulations to us for keeping at it.
Samprati
Sam n Mish. Yes u both r twins in many ways. At least there is some eternal connect. I am very very bullish about your venture as its heart driven n heart is the best sourse of inspiration for mind. I wish you all wonders in the new year.
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